I only remember two
lectures at Adelaide University. One was
on the Yippee Bird. It was delivered by
a drunken student, and ended prematurely when the lecturer walked in.
The
other was Vida’s lecture on profanity. Everyone
remembers that. It was improper, like
the Yippee Bird, but it was the only time the lecture hall was full. The words, like the students, were all
there. Fuck, Shit and Cunt, spread out
wisely. She didn’t let the bad boys sit
together. She had us tittering to the
end. She could use words to effect.
I
was still gardening. She recommended me
to someone else, and told me what she’d said.
I was thorough, but slow. She’d
been judging my performance as a gardener, too.
I might have known.
At
the new property, I had to cut a hedge.
I told her I’d never cut a hedge before.
“Now
you’re going to learn.”
I
chuckled. It was, after all, someone
else’s hedge.
The
plainest of speakers, she had little time for irony. Why say something which you don’t mean, or
which is open to interpretation? One
morning, we were standing in her front garden.
Across the road, an old lady, or so she seemed to me, came out of a house. Vida said a man lived there, and the woman often
stayed the night. We reflected for a
moment, then I said:
“No
one in their right mind would think she stayed the night.”
Vida
looked at me. “Do you mean her
appearance?”
I
nodded.
“Graham,
that’s very uncharitable of you!”
She
was pleased, though. I remember these
things. It was important for me to
please her.
She
said she sometimes wondered how tolerant she was, although I think she
knew. I replied, “You’ve always struck me
as a model of toleration.”
But
it wasn’t all talking and shovelling. Vida
wrote as well, academic things, and lots of letters. She got one from a former student.
“It’s
from Tim,” she said. “He finally married
his girlfriend. I don’t know why he
still writes to me. He always struck me
as being rather dim.”
“He
must be.”
“There’s
no need to be offensive!”
When
I wasn’t in Adelaide, I also wrote to her.
One letter she even wrote for
me, my application to Oxford. It was all
her idea. She told me to draft my own
letter, then show it to her. She knew it
wouldn’t work, and as soon as she started reading it, she said, “This won’t do.”
She
picked her pen up, already thinking, and wrote a letter of her own. She did it there and then, without speaking,
just wrote till it was done, in a single, flowing movement. She only did things when she knew what she
was doing. It didn’t do my application
any harm.
All
her letters had the same pure style.
When something's right, there's no need to change. I
wrote to her last year. I hadn’t sent a
letter for a very long time. I didn’t
want to be a dim Tim, or maybe I was lazy. She replied by email.
“I assume that you thought I was too old
and doddery to cope with such things.”
Right again.
Years
ago, when a friend of hers died, Vida sorted out her stuff. It was heartbreaking, she said, going
through the old letters. Why do people
write things down?
At
the end of the email, she thanked me for remembering her. No irony, of course. It made me a little sad, even then. As if I could forget.
Vida
died, she passed away, she went to meet her maker. I can’t say it more plainly. She’s gone, and it won’t do.
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